Artist Wim Delvoye looks back on 25 years of ‘Cloaca’ with a retrospective

BRUSSELS, Belgium (BT) — A retrospective of artist Wim Delvoye’s works concluded this month at the Rodolphe Janssen Gallery in the Brussels municipality of Elsene.

The “Wim Delvoye: Cloaca. Celebration 2000-2025” exhibition will showcase the work of the world-renowned Belgian artist known for his tattooed pigs and explicit stained glass windows. It includes various sketches of successive versions of the ‘Cloaca,’ a machine that mimics the human digestive process.

Delvoye aimed to highlight 25 years of the “Cloaca Original,” a piece of installation art celebrated internationally as a pinnacle of Belgian surrealism. Created in 2000, the work, it was named after the anatomical opening in some animals that excretes waste and genital secretions. This creation resembles a lab setup with tubes and beakers, faithfully replicating the human digestive system.

Wim Delvoye’s infamous “poo machinehe named “Cloaca” in 2000.

Following the conception of the first “Cloaca Original” around the millennium, Delvoye produced nine other versions of his ‘poo machine,’ as it’s popularly known. These include the Cloaca Professional, Cloaca No. 5, Cloaca New & Improved, Cloaca Turbo, and mini-Cloaca.

At the exhibition, visitors will be introduced to the Cloaca Travel Kit, a version integrated into a suitcase.

The exhibition also featured various sketches and drawings made prior to the construction of the different Cloacas. Each of these versions has a logo inspired by a well-known brand, including Coca-Cola, Disney, Harley-Davidson, Chanel No. 5 for Cloaca No. 5, and Mr. Proper.

Visitors werre able to admire over forty original drawings by Delvoye, Cloaca-produced waste, Anal Kiss-prints, and Cloaca merchandising objects.

SOURCE: Brussels Times

https://en.wikipedia.org/wiki/Cloaca_(art_installation)

https://www.amusingplanet.com/2012/05/poo-machine-by-wim-delvoye.html

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John F. McCarthy is a veteran journalist in the Caribbean, writing from the "Decision Space" where survival meets the surreal. His reporting steel was tempered by a lineage of legendary editors and broadcasters, including Ed Wynn Brant (The Bomb), Owen Eschenroder (Ann Arbor News), Lynelle Emanuel (BVI Beacon), and Charles Thanas (WSVI-TV). Alongside longtime colleague Kenneth C. "Casey" Clark, McCarthy has navigated the front lines of the territory’s history—from the 1997 volcanic "snow" to every major hurricane since Hugo. Known for leaning out of doorless helicopters to capture the "money shot," McCarthy now edits the V.I. Free Press, providing the essential link between the island's colonial past and its SpaceX future.